While 2026 has officially started, as a critic, I am still focusing on soundtracks from 2025. I would love to start exploring 2026 scores, but I need to make sure […]
Read moreTag: Game
Ghost of Yōtei – Toma Otawa
When the game Ghost of Tsushima came out, I was quite excited about its music, composed by Ilan Eshkeri and Shigeru Umebayashi. Umebayashi wrote some excellent music that evokes the […]
Read moreSpotlights #14: Great Game Soundtracks of 2025
In this Spotlight article, I would like to highlight some excellent soundtracks for games I have heard in recent months. They form a wonderful showcase of how far game music […]
Read moreSpotlights: Soundtracks of 2025 – Part 3
One of the changes I have been making over the years is that, in addition to writing a regular review about one particular soundtrack a week, I also want to […]
Read moreSpotlights: Soundtracks of 2025 – Part 2
For this site, as well as for the IFMCA, I listen to a lot of soundtracks throughout the year. If I only focused on the bigger ones and wrote only […]
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DOOM: The Dark Ages – Finishing Move Inc.
People my age who were into PC games back then should know what the game DOOM is, which was released in 1993. It is one of the first games in […]
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Kingdom Come: Deliverance II – Jan Valta, Adam Sporka
Making a successful video game has become more challenging in recent years. I have been following video games for many years now, and a lot of them have failed to […]
Read moreSpotlights: First soundtracks of 2025
For many people, the year 2025 starts on January 1st, but for me, as a soundtrack reviewer, it starts much later. During the first two months of the year, I […]
Read moreSpotlights: 2024 Soundtrack Highlights – Part 2
As I am still very busy preparing my votes for the IFMCA Awards, I do not have time to focus on writing my regular reviews. During this period, I will […]
Read moreSpotlights: 2024 Soundtrack Highlights – Part 1
The year 2024 is behind us, so I have to prepare for the IFMCA Awards. As a member of this organization of film music critics, I have to listen to […]
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