Many scores have already been released in 2026, and I have been writing regular reviews of some of them, but there are more that deserve attention. In this Spotlight article, […]
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Tag: Daniel Pemberton
Project Hail Mary – Daniel Pemberton
Concerning spoilers: I avoided mentioning story plots in this review, but I had to address some concepts you may not want to know, which were revealed in the trailers for […]
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Spider-Man: Across the Spider-Verse – Live in concert – 2025-12-19, London
The first film, Into the Spider-Verse, had previously been shown with a live orchestra, but unfortunately I missed that one. This time, I had the chance to attend Across the […]
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Spotlights: 2024 Soundtrack Highlights – Part 2
As I am still very busy preparing my votes for the IFMCA Awards, I do not have time to focus on writing my regular reviews. During this period, I will […]
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Krakow Film Music Festival 2024
The Krakow Film Music Festival (FMF) in Poland is a festival I have been attending for many years, and you can find my reports about all the festivals since 2011 […]
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eSWay Awards: The Best Soundtracks of 2023
It is that time of year again where I would like to reflect on the previous year and celebrate its highlights, including our eSWay Awards. We left the pandemic behind […]
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Spider‐Man: Across the Spider‐Verse – Daniel Pemberton
If you had asked me a year ago what the best Spider-Man movie is, I would have said Spider-Man: Into the Spider-Verse in a heartbeat. I have seen many live-action […]
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Spotlights: Round up of 2022 – Part 2
In the second Spotlights article, in which I will touch on some of the soundtracks that have come out in 2022, I will be looking at several scores I had […]
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Daniel Pemberton at Nederlands Film Festival
If you are a frequent visitor of this website, you know that I like to attend film music festivals in Europe. These festivals are fully dedicated to music for film, […]
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Soundtrack World Unscripted #7
Favorites of 2020, Hans Zimmer, Alexandre Desplat and John Paesano ‘Soundtrack Word Unscripted’ is a series where editor-in-chief of Soundtrack World Anton Smit talks about his passion for film music. […]
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