Apparently, Tom Holkenborg has been quite busy during the pandemic. I have already reviewed White Lines back in June 2020, and only a month ago I took a closer look […]
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Category: Highlight
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Thunder Force – Fil Eisler
One of the things that I like about being a soundtrack reviewer is discovering music from composers that I have not heard of before. Netflix can be very aggressive with […]
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De Fabriek – Ruud Bos
Sometimes a beautiful score is handed to you on a silver platter, as was the case with De Fabriek (English: The Factory), a tv show that ran from 1981 to […]
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The Courier – Abel Korzeniowski
One of the amazing composers that I have discovered in the last decade is Polish composer Abel Korzeniowski. The music he has written in the past is an absolute pleasure […]
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Zack Snyder’s Justice League – Tom Holkenborg
This may be one of the strangest reviews I have written, because in 2017 I wrote a review about Danny Elfman’s music for Justice League, and now I am back […]
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Raya and the Last Dragon – James Newton Howard
If there is one thing I try to avoid on this website, it is reviewing multiple soundtracks by the same composer in a short period. With COVID going on, however, […]
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WandaVision – Christophe Beck
When Disney announced their own streaming platform Disney+, I was quite skeptical about its chances of success. Disney has many different very successful franchises, but I did not think those […]
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Soul Snatcher – Joe Hisaishi
When thinking about movies, most people will think about Hollywood blockbusters first, but movies are made all over the world, and they all need music. One of my favorite composers, […]
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News of the World – James Newton Howard
Netflix apparently has a thing for bearded middle-aged men who travel with a girl. After reviewing the music for The Midnight Sky, starring George Clooney and a little girl, I […]
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Soundtrack World Unscripted #8
IFMCA Awards 2020, John Powell, Michael Giacchino, Nami Melumad, Ilan Eshkeri and Kris Bowers ‘Soundtrack Word Unscripted’ is a series where editor-in-chief of Soundtrack World Anton Smit talks about his […]
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