The year 2018 was magnificent for video game soundtracks, especially if you like orchestral scores. Bear McCreary’s God of War was one of my favorites and it made it onto […]
Read more
The year 2018 was magnificent for video game soundtracks, especially if you like orchestral scores. Bear McCreary’s God of War was one of my favorites and it made it onto […]
Read moreDon Davis, Alan Silvestri, Austin Wintory, Lorne Balfe and More ‘Soundtrack Word Unscripted’ is a series where editor-in-chief of Soundtrack World Anton Smit talks about his passion for film music. […]
Read moreAt the time of writing this review, movie releases are very weird because of COVID-19. In some countries, people can watch the movie The Witches in movie theaters, while in […]
Read moreOn Soundtrack World we try to spread out the interviews a bit, and for some reason the interview we conducted with none other than Don Davis, has not been published […]
Read more“The Musical Anthology of His Dark Materials Series 2” A year ago, I reviewed Lorne Balfe’s The Musical Anthology of His Dark Materials, which is not really a soundtrack but […]
Read moreAfter ABZÛ, The Pathless is the second video game from game studio Giant Squid. Creative director and founder Matt Nava has already built quite a reputation at Thatgamecompany as art […]
Read moreJohn Powell, Elliot Goldenthal, Hannes De Maeyer, Karl Heortweard & More ‘Soundtrack Word Unscripted’ is a series where editor-in-chief of Soundtrack World Anton Smit talks about his passion for film […]
Read moreNovember 10 would have been Ennio Morricone’s 92nd birthday. Sadly he passed away on July 6 earlier this year. Being one of the high-profile film music composers in the world, […]
Read moreVarese Sarabande is one of the biggest music labels specializing in releasing soundtracks, and occasionally they like to release an expanded version of an existing soundtrack. Most of the time […]
Read moreIt was a pleasant surprise when I found out that composer Elliot Goldenthal had written music for a movie again, which has been a rarity throughout the last decade. This […]
Read more