Here we are again. It is time to write another review about a soundtrack by Tom Holkenborg, as I have recently done with White Lines, The Snyder Cut and Godzilla […]
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Here we are again. It is time to write another review about a soundtrack by Tom Holkenborg, as I have recently done with White Lines, The Snyder Cut and Godzilla […]
Read moreWhen I wanted to write this new review, I could not really find a suitable recent score to write about. There are, of course, some real gems out there that […]
Read moreBlockbuster movies are finally starting to come out in movie theaters again, at least in countries where the coronavirus is starting to come under control through rules and vaccinations. In […]
Read moreApparently, Tom Holkenborg has been quite busy during the pandemic. I have already reviewed White Lines back in June 2020, and only a month ago I took a closer look […]
Read moreOne of the things that I like about being a soundtrack reviewer is discovering music from composers that I have not heard of before. Netflix can be very aggressive with […]
Read moreOne of the amazing composers that I have discovered in the last decade is Polish composer Abel Korzeniowski. The music he has written in the past is an absolute pleasure […]
Read moreThis may be one of the strangest reviews I have written, because in 2017 I wrote a review about Danny Elfman’s music for Justice League, and now I am back […]
Read moreWhen thinking about movies, most people will think about Hollywood blockbusters first, but movies are made all over the world, and they all need music. One of my favorite composers, […]
Read moreNetflix apparently has a thing for bearded middle-aged men who travel with a girl. After reviewing the music for The Midnight Sky, starring George Clooney and a little girl, I […]
Read moreFrench composer Alexandre Desplat is very sought-after in Hollywood, especially after winning two Oscars for The Grand Budapest Hotel and The Shape of Water. I own a handful of his […]
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